home  > 
 muziektheorie > solfege en gehoortraining > huiswerkopgaves eerste jaar 2013-2014 / homewerk for solfege and ear training first year, 2013-2014  > 22 november 2013 /solutions
Below you see the complete score  of the second movement of Mozart's Quartet for Flute, Violin, Viola and Cello, K 285, with annotations at measures 1-16. You can use this excerpt, together with a recording, as an ear training exercise/dictation, by going here.

In the score below are the answers to the questions, and of course the complete bass and soprano voices, together with an harmonic analysis. 

Here is a pdf file with this annotated score. You can do the exercise here.
 

Harmony:      I                                         V6                                    V7                                           I  IAC
                 IV                                VIIeol           III                                 VI                    II7              V /   V7      I    (VII7) 
                I6/4       V  HC               I                                          (V2)     V6                             ( II6/5 
Measures 5-7: diatonic sequence of descending fifths.  (VII7) in measure 7 aims at V;  I6/4 is just a suspension to V (and therefore art of the dominant harmony in measure 8).
In measure 5 you may have heard D# in the Viola (which suggests a secondary dominant to IV on IV ) 
              V2 )      IV6dm                       IV6                                       VII6  / V7 / V2     I6         IV / II6/5   I6/4  V7
                                                                                                           or just V7 / V2                or just IV
             I   PAC
The complete theme can be seen as a compound, parallel period of 16 measures (parallel, even though there is some variation in the consequent). 

Both antecedent and consequent are sentential: model and sequence, followed by an elaboration. 
The sequence in measures 11/12 is almost literal - only one tone in the melody differs, but - more important - there is quite a harmonic change at the beginning of the sequence!